Edmund Mathews

"The Offering"  30" x 40"  oil on canvas

"The Gathering"  30" x 40"  oil on canvas

"The Docking"  24" x 30"  oil on canvas

"The Immigrants"  18" x 24"  oil on canvas

"The Excavation"  72" x 36"  charcoal and acrylic on linen

Edmund Mathews began a new series of paintings and drawings just a couple of years ago exploring a world in which giant crates, steamer trunks and other containers loom as powerful symbols of human transience. We place an enormous value on home and stability, but history is a story of movement "by chance, instinct, plan or force" (as the artist says). And when people move they bring whatever material goods they can with them. This luggage, the baggage of human dislocation and relocation, takes on a mythic role in these images, as if they were the most iconic symbols of who we are, telling the story of where we came from and how we got here. The paintings are executed in a very simple and straightforward manner, no pretensions of expressive technique or highly stylized rendering. This simplicity adds to their appeal in my mind, grounding them in a way that seems rooted in common experience. Each image may vary slightly in tone, from the magical wonder in "The Gathering" to the epic struggle of "The Offering". But mostly they seem somewhat detached, mere observation of a universal truth. A truth that may be become more and more familiar to us all in times ahead. For there is a good chance that as climate around the world shifts we will see ever increasing numbers of people on the move, their lives upended and made more precarious by change. And they will cling, as travelers have always clung, to those precious things that they bring with them from their homes.
There's a few more from this series on the artists website: www.edmundmathews.com .
He has plenty of other work as well from sculpture to commercial digital work. Personally I can't wait to see more from this series which was also included in the most recent issue of New American Paintings #105 (congratulations Mr. Mathews!)

John Evans

"New Orleans Botanical Gardens Pool - 2"  48" x 60"

"Regal Ceremony"  60" x 72"

"Incantation"  12" x 12"

"Evening"  16" x 13"

"A Curious Ring of Boats"  oil on canvas  60" x 96"

Painting is nothing more than arrangements of colors and shapes on a flat surface. This fundamental fact is of course what led artists to finally explore abstraction in the early twentieth century and it has been a viable and dynamic from of expression ever since. But all painting relies on abstraction. Representation is merely the interpretation of three dimensional reality into 2-dimensional abstract shapes and colors. The blurred borderlands between abstraction and representation is the entire focus of many artist's work including John Evans. Real places in the world (a beach, a botanical garden) are ostensibly his subject, but they are mere excuses for exploring the power of composition. These are bright and cheerful works by an artist who wants to delight. And he manages to do so with a real gift for color and a rich array of marks and textures. There's plenty to look at on his website: www.evansartstudio.com
...and you can see his work in person of you happen to be in New York City at Gallery Henoch.
He's also represented by galleries in Nantucket MA, Greenwich CT, Laguna Beach CA, Palm Desert CA and San Francisco.